The premiere event of Defib Art contained the first occurrence of the artist’s ARRIVAL II. Appearing with its imaginal limbs, suggesting transposition in a space particularly dependent on immobility. A cubical shelter, irregardless of its use or its visitors, except envisaging art connaisseurs, enticed by posted events and other passerbyes.
In the chill atmosphere of Swedish winter, with the accessories of any respected art vernissage or finissage. Defib Art popped up, elucidating a neglected space.